Download Delhi Belly 2011
Delhi Belly 2011 720p DVDRip Dual Audio 915mb
| Language – English 5.1 + Hindi 5.1 |
| Quality – 720p BluRay |
| Screenshots : Click Here |
Three struggling room-mates unknowingly become potential prey of a ruthless gangster.
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| Part 1 | | Part 2 | | Part 3 | | Part 4 | | Part 5 |
| Part 1 | | Part 2 | | Part 3 | | Part 4 | | Part 5 |
| Part 1 | | Part 2 | | Part 3 | | Part 4 | | Part 5 |
| Part 1 | | Part 2 | | Part 3 | | Part 4 | | Part 5 |
Download Delhi Belly 2011
I had liked Abhinav Deo’s GAME too for its style and had not known at that time that he was directing DELHI BELLY or was from the advertising world. I mention this fact about being from the world of advertising because this would factor into the director’s understanding of urban realities, most of all the language of real life.
Language is the MAIN character of this movie. The plot, the actors, the music, the songs, the chases– all lean heavily on language and that’s the most unique feature of this film. The language of the by now infamous lyrics, the “heroes” and the “villains” alike reflects the grim, gritty, sometimes squalid reality of urban India and translates it into images that are at once shocking, disgusting, entertaining and creatively ingenious.
Once the director has decided that he is going to use this language (both literally as well as metaphorically) he has complete freedom to depict urban realities– sexual, emotional, physical, financial, marital, professional et al. The film is funny because beneath all the crudities and cuss words lies the recognition of ourselves in our day to day life, its frustrations, the curve balls that it throws us from time to time and our desperate attempts to keep our sanity in a completely insane world.
In a recent interview, Abhinav Deo thanked Amir Khan for his vision. This vision is possible only in a man who has the creative genius to shed the hypocrisy and double entrendres of Bollywood cinema and move on to a cinematic form that is so completely in tune with the 21st century India, the metamorphosis of our youth, the blurring lines that divide morality (as we knew it) from immorality, even amorality, cynicism from romanticism and so on.
